Unlacing carnal margins : portraits by Angela Stewart
| dc.contributor.author | Stewart, Angela | |
| dc.contributor.supervisor | Dr Ann Schilo | |
| dc.contributor.supervisor | Assoc. Prof. Joan Wardrop | |
| dc.date.accessioned | 2017-01-30T09:46:45Z | |
| dc.date.available | 2017-01-30T09:46:45Z | |
| dc.date.created | 2013-10-29T07:23:38Z | |
| dc.date.issued | 2010 | |
| dc.identifier.uri | http://hdl.handle.net/20.500.11937/160 | |
| dc.description.abstract |
In this research I examine artistic doubt as a way to unlace the becoming of a portrait. My interest is in the personal encounter between the painter and sitter. My muse is the sixteenth-century Italian portrait painter, Sofonisba Anguissola and through both creative practice and exegetical writing, which takes an epistolary approach, I investigate the process, mistakes and interruptions of making that can impact on portrait painting. As such doubt is positioned as caches of ontological moments. | |
| dc.language | en | |
| dc.publisher | Curtin University | |
| dc.title | Unlacing carnal margins : portraits by Angela Stewart | |
| dc.type | Thesis | |
| dcterms.educationLevel | DCA | |
| curtin.department | School of Built Environment, Art and Design, Department of Art | |
| curtin.accessStatus | Open access |