Hybrid texts and historical fiction
| dc.contributor.author | Nichols, Ian | |
| dc.contributor.supervisor | Ph.D | |
| dc.date.accessioned | 2017-01-30T10:16:51Z | |
| dc.date.available | 2017-01-30T10:16:51Z | |
| dc.date.created | 2011-10-04T04:00:09Z | |
| dc.date.issued | 2011 | |
| dc.identifier.uri | http://hdl.handle.net/20.500.11937/2060 | |
| dc.description.abstract |
The Bloodiest Rose is based on the premise that the fair copies of Shakespeare’s plays are discovered, and a production of his previously unknown Henry VII takes place in Sydney. It is an attempt to create a narrative which is factual, entertaining and truthful. The exegesis is an analysis of how fiction is able to form a framework by which the facts may be told differently, but still faithfully, as human truths. | |
| dc.language | en | |
| dc.publisher | Curtin University | |
| dc.subject | fair copies of Shakespeare’s plays | |
| dc.subject | hybrid texts | |
| dc.subject | historical fiction | |
| dc.title | Hybrid texts and historical fiction | |
| dc.type | Thesis | |
| dcterms.educationLevel | PhD | |
| curtin.department | School of Media, Culture and Creative Arts | |
| curtin.accessStatus | Open access |
