The Human Use of the Human Face: The Photographic Self-Portrait in the Age of the Selfie
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Karen Ann Donnachie's research explores the phenomenon of the selfie as a vehicle for the mass projection of self and the effect it has on contemporary notions of identity, society and photography. During her practice-led research, Donnachie created electronic, algorithmic and Internet artworks including self-made and self-programmed ‘selfie’ cameras. This thesis maps the complex genre of the selfie between performance, narcissism, social tic, intrinsic desire for self-projection and a quest for authenticity and human connection.
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Selfies, #me: Glimpses of Authenticity in the Narcissus’ Pool of the Networked Amateur Self-PortraitDonnachie, Karen Ann (2015)This research addresses the ‘Selfie’ as a significant phenomenon of contemporary photography, its unique methods of production and distribution, as well as the possible motivations driving this particular genre of the ...
Warfield, K.; Cambre, C.; Abidin, Crystal (2016)This introduction to the special issue entitled Me-diated Inter-faces begins by bringing into question the concept of positioning: what is it that we are doing when we take a position within the study of social media? ...
Abidin, Crystal (2017)© The Author(s) 2017. Taking Singaporean Member of Parliament (MP) Baey Yam Keng as a case study, this chapter analyses how charismatic engagement can be mediated through social media and selfie tropes. In the wake of ...