The Human Use of the Human Face: The Photographic Self-Portrait in the Age of the Selfie
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Karen Ann Donnachie's research explores the phenomenon of the selfie as a vehicle for the mass projection of self and the effect it has on contemporary notions of identity, society and photography. During her practice-led research, Donnachie created electronic, algorithmic and Internet artworks including self-made and self-programmed ‘selfie’ cameras. This thesis maps the complex genre of the selfie between performance, narcissism, social tic, intrinsic desire for self-projection and a quest for authenticity and human connection.
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Selfies, #me: Glimpses of Authenticity in the Narcissus’ Pool of the Networked Amateur Self-PortraitDonnachie, Karen Ann (2015)This research addresses the ‘Selfie’ as a significant phenomenon of contemporary photography, its unique methods of production and distribution, as well as the possible motivations driving this particular genre of the ...
Instagrammatics and digital methods: Studying visual social media, from selfies and GIFs to memes and emojiHighfield, T.; Leaver, Tama (2016)Visual content is a critical component of everyday social media, on platforms explicitly framed around the visual (Instagram and Vine), on those offering a mix of text and images in myriad forms (Facebook, Twitter, and ...
The 'Selfie Gaze' and 'Social Media Pilgrimage': Two Frames for Conceptualising the Experience of Social Media Using TouristsMagasic, Michelangelo (2016)No Abstract Available