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dc.contributor.authorRichardson, Joanne Haywood
dc.contributor.supervisorDr Ann Schiloen_US
dc.date.accessioned2017-07-06T05:42:13Z
dc.date.available2017-07-06T05:42:13Z
dc.date.issued2017
dc.identifier.urihttp://hdl.handle.net/20.500.11937/54082
dc.description.abstract

Through creative practice and exegetical writing this research investigates a possibility for continual engagement in aesthetic appreciation and a particular way of noticing that artists and viewers of artwork may share. Merz, invented by artist Kurt Schwitters, is a type of accumulative art practice that could include any material or method. Viewing and producing this type of artwork is examined via a theory of aesthetic appreciation called Einfühlung: a study of spectator’s embodied experiences with aesthetic works.

en_US
dc.publisherCurtin Universityen_US
dc.titleResolutely Inclusive: Merz Art Practice and Einfühlungen_US
dc.typeThesisen_US
dcterms.educationLevelPh.D.en_US
curtin.pubStatusPublisheden_US
curtin.departmentArten_US
curtin.accessStatusOpen accessen_US
curtin.facultyHumanitiesen_US


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