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dc.contributor.authorJennings, Danny Roy
dc.contributor.supervisorDr Antonio Traversoen_US
dc.date.accessioned2017-11-30T05:42:12Z
dc.date.available2017-11-30T05:42:12Z
dc.date.issued2017
dc.identifier.urihttp://hdl.handle.net/20.500.11937/58984
dc.description.abstract

The aim of this practice-based screen arts doctoral thesis is to investigate how cinematic representations of nature evoke an aesthetic of the sublime. The thesis answers this research question both through experimental film practice and critical analysis of theoretical and artistic texts. Informed by concepts such as the sublime, transcendence, the metaphysical imagination, critical realism and phenomenology, and the films Werner Herzog and Andrei Tarkovsky, this thesis investigates an organic transcendental film style.

en_US
dc.publisherCurtin Universityen_US
dc.titleThe Aesthetics of Nature and the Cinematic Sublime: A Creative Investigation into an Organic Transcendental Film Styleen_US
dc.typeThesisen_US
dcterms.educationLevelPhDen_US
curtin.departmentSchool of Media, Culture and Creative Artsen_US
curtin.accessStatusOpen accessen_US
curtin.facultyHumanitiesen_US


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