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    The Haptic Dimension of Ceramic Practice: Ways of Knowing

    McVeigh A 2020.pdf (9.232Mb)
    Access Status
    Open access
    Authors
    McVeigh, Alana Carol
    Date
    2020
    Supervisor
    Anna Nazzari
    Susanna Castleden
    Type
    Thesis
    Award
    PhD
    
    Metadata
    Show full item record
    Faculty
    Humanities
    School
    School of Media, Creative Arts and Social Inquiry
    URI
    http://hdl.handle.net/20.500.11937/81389
    Collection
    • Curtin Theses
    Abstract

    This research examines how streams of tacit knowledge and sensory awareness have impacted Australia’s approach to ceramic making. Through a combination of creative practice and exegesis, the investigation considers how experiential knowledge amassed over time builds a visual, cognitive and sensual vocabulary that becomes embodied as a visceral form of making. A form of making and awareness that entered Australian ceramic studio practice from China, Japan, Korea and Britain primarily during the 1940s–1960s.

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