Collage as Queer Methodology: The Pleasures and Politics of Trans and Queer Photographic Representations
| dc.contributor.author | Ball, Jack | |
| dc.contributor.supervisor | Amy Dobson | en_US |
| dc.contributor.supervisor | Anna Haebich | en_US |
| dc.date.accessioned | 2021-04-13T04:18:33Z | |
| dc.date.available | 2021-04-13T04:18:33Z | |
| dc.date.issued | 2021 | en_US |
| dc.identifier.uri | http://hdl.handle.net/20.500.11937/83186 | |
| dc.description.abstract |
This practice-led research project is a critical feminist engagement with the messy complexities of making, consuming and exhibiting imagery. I use a range of material processes to develop large-scale photographic series that explore intimacy and a continued reconfiguring of the body. I consider the ethical intricacies of photographic practice and interrogate how a feminist and queer politics of ruining and remaking can inform an approach to my own practice and participation in image culture. | en_US |
| dc.publisher | Curtin University | en_US |
| dc.title | Collage as Queer Methodology: The Pleasures and Politics of Trans and Queer Photographic Representations | en_US |
| dc.type | Thesis | en_US |
| dcterms.educationLevel | PhD | en_US |
| curtin.department | School of Media, Creative Arts and Social Inquiry | en_US |
| curtin.accessStatus | Open access | en_US |
| curtin.faculty | Humanities | en_US |