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dc.contributor.authorSommer, Paul Bernard
dc.contributor.supervisorRobert Briggsen_US
dc.contributor.supervisorAntonio Traversoen_US
dc.date.accessioned2022-10-20T03:03:35Z
dc.date.available2022-10-20T03:03:35Z
dc.date.issued2022en_US
dc.identifier.urihttp://hdl.handle.net/20.500.11937/89459
dc.description.abstract

In this thesis, routine interest in visual images as fundamental to film studies is displaced in favor of a focus on movement. Gilles Deleuze’s Cinema books provide the foundation but mediation between their philosophical intentions and the demands of film analysis becomes necessary. The figure of the Deleuzian cineaste is constructed as the means to identify a systematic approach to filmic movement in its many forms and to demonstrate subsequent analysis based on movement.

en_US
dc.publisherCurtin Universityen_US
dc.titleThe Deleuzian Cineaste: placing movement at the heart of film analysisen_US
dc.typeThesisen_US
dcterms.educationLevelPhDen_US
curtin.departmentSchool of Media, Culture and Creative Artsen_US
curtin.accessStatusOpen accessen_US
curtin.facultyHumanitiesen_US
curtin.contributor.orcidSommer, Paul Bernard [0000-0003-2719-1110]en_US


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