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    The Line of the Light: Painting backstage affective atmospheres.

    Brennan ER 2024 Public.pdf (5.835Mb)
    Access Status
    Open access
    Authors
    Brennan, Emily Rose
    Date
    2024
    Supervisor
    Kit Messham-Muir
    Bruce Slatter
    Type
    Thesis
    Award
    PhD
    
    Metadata
    Show full item record
    Faculty
    Humanities
    School
    School of Media, Creative Arts and Social Inquiry
    URI
    http://hdl.handle.net/20.500.11937/95021
    Collection
    • Curtin Theses
    Abstract

    This project explores the embodied experience of the affective atmosphere of the backstage of the theatre, questioning how this site can be visually translated using oil painting. Through the analysis of the affective capabilities of painting, the phenomenology of acting processes, and atmospheres that reside in backstage interiors, I investigate how the lived-experience of backstage sites can contribute to paintings which register affective atmospheres linked to heightened energy, focused concentration, imaginative processes, and liminal sensations.

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