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dc.contributor.authorWorden, Suzette
dc.date.accessioned2017-01-30T11:48:54Z
dc.date.available2017-01-30T11:48:54Z
dc.date.created2008-11-12T23:25:11Z
dc.date.issued2002
dc.identifier.citationWorden, Suzette. 2002. : Being There and Not Being There: Historiography and the Digital Arts, in Punt, Michale and Ascott, Roy and Thomas, Paul (ed), The Fourth International CAiiA-STAR Research Conference, 1st - 4th August 2002. John Curtin Gallery, Curtin University of Technology, Perth, Western Australia: John Curtin Gallery, Curtin University of Technology.
dc.identifier.urihttp://hdl.handle.net/20.500.11937/15256
dc.description.abstract

Histories of the digital arts have their own distinctive concerns. These interests also deserve to be compared to more general historiographical discussions of history writing where there have been fierce debates about empirical analysis and theoretical developments allied to postmodern linguistic theory. Through this comparison, the ways in which history can be a creative process will be examined.

dc.publisherJohn Curtin Gallery, Curtin University of Technology
dc.subjectvirtual
dc.subjectexhibitions
dc.subjecthistoriography
dc.subjectDigital arts
dc.subjectInternet
dc.titleBeing There and Not Being There: Historiography and the Digital Arts
dc.typeConference Paper
dcterms.source.titleConsciousness Reframed 2002: the papers
dcterms.source.seriesCD-Rom
dcterms.source.conferenceThe Fourth International CAiiA-STAR Research Conference
dcterms.source.conference-start-date1st - 4th August 2002
dcterms.source.conferencelocationJohn Curtin Gallery, Curtin University of Technology, Perth, Western Australia
dcterms.source.placePerth, Western Australia
curtin.identifierEPR-929
curtin.accessStatusOpen access
curtin.facultyDivision of Humanities
curtin.facultyFaculty of Built Environment, Art and Design (BEAD)
curtin.facultyDepartment of Design


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