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    Movement and Time in the Nexus between Technological Modes with Jean Tinguely’s Kineticism

    Access Status
    Open access via publisher
    Authors
    Chau, Christina
    Date
    2014
    Type
    Journal Article
    
    Metadata
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    Citation
    Chau, C. 2014. Movement and Time in the Nexus between Technological Modes with Jean Tinguely’s Kineticism. Arts. 3 (4): pp. 394-406.
    Source Title
    Arts
    DOI
    10.3390/arts3040394
    ISSN
    2076-0752
    School
    Department of Communication and Cultural Studies
    URI
    http://hdl.handle.net/20.500.11937/20541
    Collection
    • Curtin Research Publications
    Abstract

    This paper addresses auto-destructive artworks by Jean Tinguely, Homage to New York (1960) and Study for an End of the World No. 2 (1962), to explore a changing consciousness of time in a period of technological transition from modern industrial machines towards the domestication of televisual devices. One effect of these is works is a contribution to a turbulent consciousness of time by orchestrating new perceptions of temporality with mechanical and tele-communicational media. Tinguely’s kineticism is useful for articulating how different technologies can be used to rationalize time in different ways and highlight an incompatibility between the expression of time as an unfolding duration with mechanical media, and the temporal demands of televisual broadcast media.

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