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dc.contributor.authorEllis, Katie
dc.date.accessioned2017-01-30T12:59:49Z
dc.date.available2017-01-30T12:59:49Z
dc.date.created2015-12-10T04:25:58Z
dc.date.issued2012
dc.identifier.citationEllis, K. 2012. Taste is the enemy of creativity: Disability, YouTube and a new language11An earlier version of this chapter was shortlisted for the inaugural Telstra-TJA Christopher Newell Prize for Telecommunications and Disability.. In Digital Dialogues and Community 2.0: After Avatars, Trolls and Puppets, 121-134.
dc.identifier.urihttp://hdl.handle.net/20.500.11937/27566
dc.identifier.doi10.1016/B978-1-84334-695-1.50008-X
dc.description.abstract

Disability is everywhere and therefore nowhere. Although present in popular culture, its function is rarely of benefit to those with impairments. However, social media do provide options for diverse communities and citizens to communicate, resist, challenge and create a consciousness through popular culture. This chapter explores the new uses of new media, with attention to YouTube and its comment function. © 2012 Woodhead Publishing Limited All rights reserved.

dc.titleTaste is the enemy of creativity: Disability, YouTube and a new language11An earlier version of this chapter was shortlisted for the inaugural Telstra-TJA Christopher Newell Prize for Telecommunications and Disability.
dc.typeBook Chapter
dcterms.source.startPage121
dcterms.source.endPage134
dcterms.source.titleDigital Dialogues and Community 2.0: After Avatars, Trolls and Puppets
dcterms.source.isbn9781843346951
curtin.departmentDepartment of Internet Studies
curtin.accessStatusFulltext not available


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