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dc.contributor.authorRowley, J.
dc.contributor.authorBlom, D.
dc.contributor.authorBennett, Dawn
dc.contributor.editorDavid Forrest
dc.date.accessioned2017-01-30T13:05:19Z
dc.date.available2017-01-30T13:05:19Z
dc.date.created2014-07-28T20:00:25Z
dc.date.issued2014
dc.identifier.citationRowley, J. and Bennett, D. and Blom, D. 2014. ePortfolios in the teaching of music and other creative and performing arts in four Australian universities, in Forrest, D. (ed), Proceedings of the International Society for Music Education 31st World Conference on Music Education, Jul 20-25 2014, pp. 264-270. Porto Alegre, Brazil: International Society for Music Education.
dc.identifier.urihttp://hdl.handle.net/20.500.11937/28484
dc.description.abstract

This paper presents findings on the influences of the use of ePortfolios on teaching in music and other creative and performing arts. It is based on a two-year project in four Australian universities in 2012-2013. Rather than concentrate on the effects of ePortfolios on students, it focuses on teachers and their responses to teaching through the use of ePortfolios. As each of the universities involved in this project has different types of degrees in these discipline areas, and different policies and uses for ePortfolio-based work, ways that teaching responds to ePortfolio use differ between them. To explain this, roles of ePortfolios and ways they are used in music and other creative and performing arts areas in each of the universities are explained. This is followed by comments from staff members using ePortfolios in their teaching; changes to teaching as a result of ePortfolio use are particularly noted. These comments are derived from semi-structured interviews with the staff members involved in each of the four institutions of the project. The results of the project indicate various ways in which teaching in music and other creative and performing arts is being influenced by incorporation of ePortfolios into university work. Specifically, these relate to changes in assessment procedures, rethinking by staff of ways of demonstrating the longitudinal nature of study in music and other creative and performing arts, the ability of ePortfolios to provide holistic views of university learning, and the significance to staff of ePortfolios as representation of the multiple identities that music students develop during their studies.

dc.publisherInternational Society for Music Education
dc.subjectidentity
dc.subjectarts
dc.subjectePortfolio
dc.subjectemployability
dc.titleePortfolios in the teaching of music and other creative and performing arts in four Australian universities
dc.typeConference Paper
dcterms.source.startPage264
dcterms.source.endPage270
dcterms.source.titleProceedings of the International Society for Music Education 31st World Conference on Music Education
dcterms.source.seriesProceedings of the International Society for Music Education 31st World Conference on Music Education
dcterms.source.isbn978-0-9873511-8-0
dcterms.source.conferenceInternational Society for Music Education 31st World Conference on Music Education
dcterms.source.conference-start-dateJul 22 2014
dcterms.source.conferencelocationPorto Alegre, Brazil
dcterms.source.placeMalvern, Victoria
curtin.departmentHumanities-Faculty Office
curtin.accessStatusFulltext not available


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