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    Bomb the base in the bus: Public transport as intersections of a local popular culture in Padang, Indonesia

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    Access Status
    Open access
    Authors
    Jones, Tod
    Date
    2008
    Type
    Journal Article
    
    Metadata
    Show full item record
    Citation
    Jones, Tod. 2008. Bomb the base in the bus: Public transport as intersections of a local popular culture in Padang, Indonesia. Continuum: Journal of Media and Cultural Studies 22 (1): 127-39.
    Source Title
    Continuum: Journal of Media and Cultural Studies
    DOI
    10.1080/10304310701729910
    Faculty
    Division of Humanities
    School
    Centre for Research and Graduate Studies-Humanities
    Remarks

    This is an Author's Accepted Manuscript of an article published in Continuum: Journal of Media and Cultural Studies (31 May 2008), copyright Taylor & Francis, available online at: <a href="http://www.tandfonline.com/doi/abs/10.1080/10304310701729910">http://www.tandfonline.com/doi/abs/10.1080/10304310701729910</a>

    URI
    http://hdl.handle.net/20.500.11937/29406
    Collection
    • Curtin Research Publications
    Abstract

    Most research into consumption and popular culture in Indonesia has been focussed on the middle and upper classes who have been characterised as opting for a consumption-based culture over traditional ways of life. However, this paper on popular culture in Padang, West Sumatra, demonstrates that consumption is also an important element of working class Indonesians' lives. The angkutan (modified vans used for public transport) and bis kota (city buses) in Padang in the Indonesian province of West Sumatra are brightly decorated with pictures and items depicting local and global themes. They are also equipped with expensive entertainment systems, produced by an expanding global marketplace, that broadcast local, Indonesian and foreign music in a variety of genres. In this paper, I explore the different factors that shape visual and musical expression on local transport. After providing a description of this popular cultural formation, I identify two constructions as the most prominent organising sensibilities: a youth culture that celebrates modernity and the culture of an older generation that emphasises an ongoing relationship to tradition and nature.

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