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dc.contributor.authorLombard, Kara-Jane
dc.date.accessioned2017-01-30T13:39:53Z
dc.date.available2017-01-30T13:39:53Z
dc.date.created2014-03-23T20:00:51Z
dc.date.issued2013
dc.identifier.citationLombard, Kara-Jane. 2013. Art Crimes: The Governance of Hip Hop Graffiti. Journal for Cultural Research. 17 (3): pp. 255-275.
dc.identifier.urihttp://hdl.handle.net/20.500.11937/33862
dc.identifier.doi10.1080/14797585.2012.752160
dc.description.abstract

This article explores the governmental incorporation of hip hop graffiti. It seeks to answer the question: how has governance in relation to graffiti changed? It employs the concept of governmentality to analyze how graffiti is problematized and controlled. Utilizing the rubric of governmentality reveals that although it appears that there is a softening of graffiti policy, this does not mean there is less governance. It also reveals that the increasing support for, and acceptance of graffiti, are simply the effects of the rise of a neo-liberal form of political–economic governance.

dc.publisherRoutledge
dc.titleArt Crimes: The Governance of Hip Hop Graffiti
dc.typeJournal Article
dcterms.source.volume17
dcterms.source.number3
dcterms.source.startPage255
dcterms.source.endPage275
dcterms.source.issn1479-7585
dcterms.source.titleJournal for Cultural Research
curtin.department
curtin.accessStatusFulltext not available


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