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dc.contributor.authorStratton, Jon
dc.date.accessioned2017-01-30T13:54:43Z
dc.date.available2017-01-30T13:54:43Z
dc.date.created2013-03-27T20:00:51Z
dc.date.issued2012
dc.identifier.citationStratton, Jon. 2012. 'A West Indian? You must be joking! I come out of the East End': Kenny Lynch and English racism in the 1950s and 1960s. Popular Music History. 5 (3): pp. 305-326.
dc.identifier.urihttp://hdl.handle.net/20.500.11937/36255
dc.identifier.doi10.1558/pomh.v5i3.305
dc.description.abstract

Kenny Lynch was the first successful black British pop singer. Lynch moved from singing jazz standards to popular music in 1960. By the mid-1960s, when his popularity as a singer declined, Lynch was on his way to becoming the most well-known black, British-born, all-round entertainer in Britain. He worked as a song-writer, an actor in films and as a stand-up comedian. As Lynch developed his successful career, Britain was in the grip of a race-based scare about West Indian, and South Asian, immigration. There has been little work published on post-Second World War British-born popular singers before the era of the post-1948 West Indian migration. This article explores the racial context of Lynch’s success and explores the positioning of Lynch as a British-born black man.

dc.publisherEquinox Publishing Ltd
dc.title'A West Indian? You must be joking! I come out of the East End': Kenny Lynch and English racism in the 1950's and 1960s'
dc.typeJournal Article
dcterms.source.volume5:3; 2010
dcterms.source.startPage305
dcterms.source.endPage326
dcterms.source.issn1740-7133
dcterms.source.titlePopular Music History
curtin.department
curtin.accessStatusFulltext not available


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