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    Curating architectural collections : Interaction with immersive stereoscopic visualisation

    Access Status
    Fulltext not available
    Authors
    Datta, S.
    Chang, T.
    Hollick, J
    Date
    2016
    Type
    Conference Paper
    
    Metadata
    Show full item record
    Citation
    Datta, S. and Chang, T. and Hollick, J. 2016. Curating architectural collections: Interaction with immersive stereoscopic visualisation, in Proceedings of the 21st International Conference on Computer-Aided Architectural Design Research in Asia - Living Systems and Micro-Utopias: Towards Continuous Designing, Mar 30-Apr 2 2016, pp. 301-310. Melbourne: CAADRIA.
    Source Title
    CAADRIA 2016, 21st International Conference on Computer-Aided Architectural Design Research in Asia - Living Systems and Micro-Utopias: Towards Continuous Designing
    ISBN
    9789881902672
    School
    Humanities Research and Graduate Studies
    URI
    http://hdl.handle.net/20.500.11937/38542
    Collection
    • Curtin Research Publications
    Abstract

    We present our research on the use of immersive stereoscopic visualisation in interaction with collections of architectural representations. We investigate the processing and visualisation of multiple model representations from architectural datasets. We develop two models for locating collections of datasets in spatial contexts, namely a realistic gallery and a synthetic landscape. We evaluate and report the qualitative interactive experience with two forms of contextual interaction within a novel stereoscopic immersive visualisation (cylindrical projection) environment. The use of immersive stereoscopic visualisation conveys aspects and dimensions of the collections that would not be possible without the forms of contextual interaction, the gallery metaphor and the synthetic landscape to interact with the architectural collections. The combination of abstract representations with realistic sense of scale and interaction provide the user with an immersive experience to convey the collective form.

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