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dc.contributor.authorSnell, Ted
dc.contributor.editorKate Hamersly
dc.date.accessioned2017-01-30T10:35:40Z
dc.date.available2017-01-30T10:35:40Z
dc.date.created2009-10-13T06:01:53Z
dc.date.issued2003
dc.identifier.citationSnell, Ted. 2003. Country, in Kate Hamersly (ed), Sacred ground beating heart: Works by Judy Watson 1989-2003. pp. 6-18. Western Australia: John Curtin Gallery.
dc.identifier.urihttp://hdl.handle.net/20.500.11937/3982
dc.publisherJohn Curtin Gallery
dc.titleCountry
dc.typeBook Chapter
dcterms.source.startPage6
dcterms.source.endPage18
dcterms.source.titleSacred ground beating heart: Works by Judy Watson 1989-2003
dcterms.source.isbn1740672925
dcterms.source.placeWestern Australia
dcterms.source.chapter1
curtin.note

This chapter descibes the first survey exhibition of the artist Judy Watson’s work, as described by the author Ted Snell in the book (citation): Snell, Ted. 2003. Country, in Kate Hamersly (ed), Sacred ground beating heart: Works by Judy Watson 1989-2003. pp. 6-18. Western Australia: John Curtin Gallery.

curtin.note

The works include: flying ants (1991); black ground (1989); dispersal (2000); low tide walk (1991); black soil plains (1991); women be strong (1994); heartland (1991); reconciliation place 1-4 (2001); stones and bones (1991); walking around the georgina, looking for the hanging tree (1991)

curtin.accessStatusOpen access
curtin.facultyFaculty of Built Environment, Art and Design
curtin.facultyBuilt Environment Research Unit
curtin.facultyFaculty of Humanities


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