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dc.contributor.authorHartley, John
dc.date.accessioned2017-01-30T14:48:57Z
dc.date.available2017-01-30T14:48:57Z
dc.date.created2015-12-10T04:26:09Z
dc.date.issued2015
dc.identifier.citationHartley, J. 2015. Urban semiosis: Creative industries and the clash of systems. International Journal of Cultural Studies. 18 (1): pp. 79-101.
dc.identifier.urihttp://hdl.handle.net/20.500.11937/41195
dc.identifier.doi10.1177/1367877914528120
dc.description.abstract

© The Author(s) 2014. This article has two aims. The first is to make the case that the ‘universe of the mind’ imagined by Yuri Lotman may be considered as a foundational model for cultural evolution (population-wide, dynamic, autopoietic, self-organising adaptation to changing environments). The second aim is to take forward a model of culture derived from Lotman’s work – a model I call ‘the clash of systems’ – in order to apply it to creative industries research. Such a move has the salutary effect of putting the ‘universe of the mind’ literally in its place. That place, now, predominantly, is in the city. Thus, the article uses Lotman’s model of the semiosphere to link different complex systems, principally the semiosphere with that of the city, in order to explore the productive potential of encounters – clashes – between different systems. Applying these insights to the field of creative industries research, the article proposes that creative culture in the globalised, urban and web-connected era can be characterised as ‘urban semiosis’.

dc.titleUrban semiosis: Creative industries and the clash of systems
dc.typeJournal Article
dcterms.source.volume18
dcterms.source.number1
dcterms.source.startPage79
dcterms.source.endPage101
dcterms.source.issn1367-8779
dcterms.source.titleInternational Journal of Cultural Studies
curtin.departmentDepartment of Internet Studies
curtin.accessStatusOpen access


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