When Caged Birds Sing: The Many-folded Subject in the Baroque World of Heian Japanese Women's Writing
| dc.contributor.author | Houen, Christina | |
| dc.date.accessioned | 2017-03-15T22:02:26Z | |
| dc.date.available | 2017-03-15T22:02:26Z | |
| dc.date.created | 2017-02-24T00:09:17Z | |
| dc.date.issued | 2011 | |
| dc.identifier.citation | Houen, C. 2011. When Caged Birds Sing: The Many-folded Subject in the Baroque World of Heian Japanese Women's Writing. Deleuze Studies. 5 (1): pp. 97-117. | |
| dc.identifier.uri | http://hdl.handle.net/20.500.11937/49105 | |
| dc.publisher | Edinburgh University Press | |
| dc.title | When Caged Birds Sing: The Many-folded Subject in the Baroque World of Heian Japanese Women's Writing | |
| dc.type | Journal Article | |
| dcterms.source.volume | 5 | |
| dcterms.source.number | 1 | |
| dcterms.source.startPage | 97 | |
| dcterms.source.endPage | 117 | |
| dcterms.source.issn | 1750-2241 | |
| dcterms.source.title | Deleuze Studies | |
| curtin.department | School of Social Sciences and Asian Languages | |
| curtin.accessStatus | Fulltext not available |