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dc.contributor.authorLeong, Susan
dc.contributor.authorKerr, Thor
dc.contributor.authorCox, Shaphan
dc.date.accessioned2017-01-30T10:43:08Z
dc.date.available2017-01-30T10:43:08Z
dc.date.created2016-11-08T19:30:23Z
dc.date.issued2016
dc.identifier.citationLeong, S. and Kerr, T. and Cox, S. 2016. Facades of diversity. Thesis Eleven. 135 (1): pp. 115-133.
dc.identifier.urihttp://hdl.handle.net/20.500.11937/4990
dc.identifier.doi10.1177/0725513616657888
dc.description.abstract

This article focuses on urban space and heritage. Our aim is to understand how ordinary streets in Perth respond to urban change and how much these urban streets represent Western Australia’s heritage. The intention is to eschew the dominant branding of WA as Australia’s mining state and shift the spotlight so that in addition to the economic and material, light is also shed on the socio-cultural in the everyday and the vernacular. This project uses Henri Lefebvre’s rhythmanalysis approach to explore a contrapuntal reading of heritage that disrupts the deserving, dominant and fixed histories of High Road in Willetton and High Street in Fremantle. Amid the tides of migration, commerce, and cultures, heritage facades on High Street Fremantle appear singular and fixed, whereas multiple cultures have been extracted for sale on High Road. Superficially High Road seems diverse, but the overarching impulse across both sites is commerce – ‘Business as usual’ reigns.

dc.titleFacades of diversity
dc.typeJournal Article
dcterms.source.volume135
dcterms.source.number1
dcterms.source.startPage115
dcterms.source.endPage133
dcterms.source.titleThesis Eleven
curtin.departmentDepartment of Communication and Cultural Studies
curtin.accessStatusFulltext not available


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