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    Illusory motion reversals and feature tracking analyses of movement

    Access Status
    Fulltext not available
    Authors
    Arnold, D.
    Pearce, S.
    Marinovic, Welber
    Date
    2014
    Type
    Journal Article
    
    Metadata
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    Citation
    Arnold, D. and Pearce, S. and Marinovic, W. 2014. Illusory motion reversals and feature tracking analyses of movement. Journal of Experimental Psychology: Human Perception and Performance. 40 (3): pp. 938-947.
    Source Title
    Journal of Experimental Psychology: Human Perception and Performance
    DOI
    10.1037/a0035362
    ISSN
    0096-1523
    School
    School of Psychology and Speech Pathology
    URI
    http://hdl.handle.net/20.500.11937/50208
    Collection
    • Curtin Research Publications
    Abstract

    Illusory motion reversals (IMRs) can happen when looking at a repetitive pattern of motion, such as a spinning wheel. To date these have been attributed to either a form of motion aftereffect seen while viewing a moving stimulus or to the visual system taking discrete perceptual snapshots of continuous input. Here we present evidence that we argue is inconsistent with both proposals. First, we show that IMRs are driven by the adaptation of nondirectional temporal frequency tuned cells, which is inconsistent with the motion aftereffect account. Then we establish that the optimal frequency for inducing IMRs differs for color and luminance defined movement. These data are problematic for any account based on a constant rate of discrete perceptual sampling. Instead, we suggest IMRs result from a perceptual rivalry involving discrepant signals from a feature tracking analysis of movement and motion-energy based analyses. We do not assume that feature tracking relies on a discrete sampling of input at a fixed rate, but rather that feature tracking can (mis)match features at any rate less than a stimulus driven maximal resolution. Consistent with this proposal, we show that the critical frequency for inducing IMRs is dictated by the duty cycle of salient features within a moving pattern, rather than by the temporal frequency of luminance changes. © 2014 American Psychological Association.

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