Blood in the Corridor
| dc.contributor.author | Bender, Stuart | |
| dc.contributor.author | Palmer, L. | |
| dc.date.accessioned | 2017-03-24T11:54:11Z | |
| dc.date.available | 2017-03-24T11:54:11Z | |
| dc.date.created | 2017-03-23T06:59:49Z | |
| dc.date.issued | 2017 | |
| dc.identifier.citation | Bender, S. and Palmer, L. 2017. Blood in the Corridor: The Digital Mastery of Hero Run Shoot-outs in Kick-Ass and Wanted. Journal of Popular Film and Television. 45 (1): pp. 26-39. | |
| dc.identifier.uri | http://hdl.handle.net/20.500.11937/51605 | |
| dc.identifier.doi | 10.1080/01956051.2017.1271638 | |
| dc.description.abstract |
This article examines the significance of the digital aesthetic of violence in the uniquely contemporary action-film “hero run” shoot-out sequences. By using the case studies of Kick-Ass (2010) and Wanted (2008), the article focuses on how the particular stylistic tendencies of these sequences display a link between the onscreen, digital-enabled mastery of the shooter with the offscreen digital mastery of the visual-effects artist. | |
| dc.publisher | Heldref Publications | |
| dc.title | Blood in the Corridor | |
| dc.type | Journal Article | |
| dcterms.source.volume | 45 | |
| dcterms.source.number | 1 | |
| dcterms.source.startPage | 1 | |
| dcterms.source.endPage | 15 | |
| dcterms.source.issn | 1930-6458 | |
| dcterms.source.title | Journal of Popular Film and Television | |
| curtin.department | Department of Film and Television | |
| curtin.accessStatus | Open access | |
| curtin.faculty | Faculty of Humanities |