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dc.contributor.authorRen, Xiang
dc.date.accessioned2017-06-23T02:59:06Z
dc.date.available2017-06-23T02:59:06Z
dc.date.created2017-06-19T03:39:38Z
dc.date.issued2016
dc.identifier.citationRen, X. 2016. Copyright, media and modernization in China: A historical review, 1890-2015. Interactions: studies in communication and culture. 7 (3): pp. 311-326.
dc.identifier.urihttp://hdl.handle.net/20.500.11937/53228
dc.identifier.doi10.1386/iscc.7.3.311_1
dc.description.abstract

This article understands the history of copyright and media in China as co-evolution between two conflicting paradigms. One builds on the Confucian and Communist systems, where cultural production and knowledge creation are collective and commons-based, while the other is similar to the western copyright practices characterized by the legal protection and commercial exploitation of proprietary ownership rights of creative works. The article reviews the complex interplay between the two opposed paradigms in different historical periods and explores the tension between the ‘western’ models and the ‘Chinese’ traditions and characteristics in the modernization of copyright and media.

dc.titleCopyright, media and modernization in China: A historical review, 1890-2015.
dc.typeJournal Article
dcterms.source.volume7
dcterms.source.number3
dcterms.source.startPage309
dcterms.source.endPage324
dcterms.source.issn1757-2681
dcterms.source.titleInteractions: studies in communication and culture
curtin.accessStatusFulltext not available


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