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dc.contributor.authorBender, Stuart
dc.date.accessioned2017-08-24T02:19:50Z
dc.date.available2017-08-24T02:19:50Z
dc.date.created2017-08-23T07:21:34Z
dc.date.issued2017
dc.identifier.citationBender, S. 2017. Legacies of the Degraded Image in Violent Digital Media. UK.
dc.identifier.urihttp://hdl.handle.net/20.500.11937/55646
dc.description.abstract

This book undertakes a concentrated study of the impact of degraded and low-quality imagery in contemporary cinema and real-world portrayals of violence. Through a series of case studies, the book explores examples of corrupted digital imagery that range from mainstream cinema portrayals of drone warfare and infantry killing, through to real-world recordings of terrorist attacks and executions, as well as perpetrator-created murder videos live-streamed on the internet. Despite post-modernist concerns of cultural inurement during the seminal period of digitalized and virtualized killing in the 1990s, real-world reactions to violent media indicate that our culture is anything but desensitized to these media depictions. Against such a background, this book is a concentrated study of how these images are created and circulated in the contemporary media landscape and how the effect and affect of violent material is impacted by the low-resolution aesthetic.

dc.relation.urihttp://www.palgrave.com/gp/book/9783319644585
dc.titleLegacies of the Degraded Image in Violent Digital Media
dc.typeBook
dcterms.source.startPage1
dcterms.source.endPage144
dcterms.source.isbn978-3-319-64458-5
dcterms.source.placeUK
curtin.departmentDepartment of Film and Television
curtin.accessStatusFulltext not available


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