Interview with Nigel Milsom, artist, Newcastle, Australia, 9 September 2017
| dc.contributor.author | Messham-Muir, Kit | |
| dc.date.accessioned | 2018-01-30T08:01:37Z | |
| dc.date.available | 2018-01-30T08:01:37Z | |
| dc.date.created | 2018-01-30T05:59:15Z | |
| dc.date.issued | 2017 | |
| dc.identifier.citation | Messham-Muir, K. 2017. Interview with Nigel Milsom, artist, Newcastle, Australia, 9 September 2017. creativework. StudioCrasher. | |
| dc.identifier.uri | http://hdl.handle.net/20.500.11937/60649 | |
| dc.description.abstract |
Nigel Milsom is one of Australia's most extraordinary artists. He was won both of Australia's high-profile portraiture prizes, the Doug Moran (2014) and the Archibald Prize (2015). His Archibald-winning painting, titled 'Judo House Pt. 6 (The White Bird)', was a portrait of barrister Charles Waterstreet, a family friend and, for Milsom, something of a saviour. In this four-part interview, Milsom takes us from his beginnings in Sydney and Newcastle, through the highlights and ruptures in his career, to where he is today, a successful and nationally-recognised practicing artist based now in Newcastle, Australia. | |
| dc.publisher | StudioCrasher | |
| dc.relation.uri | https://youtu.be/DIIIa7WfLyk | |
| dc.title | Interview with Nigel Milsom, artist, Newcastle, Australia, 9 September 2017 | |
| dc.type | Film, TV, Media | |
| curtin.department | School of Media, Creative Arts and Social Inquiry (MCASI) | |
| curtin.accessStatus | Fulltext not available |
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