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    Critical Anachronism: The recovery of the everyday in the context of Non-objective painting

    Spremberg A 2017 part.pdf (8.166Mb)
    Access Status
    Open access
    Authors
    Spremberg, Alexander
    Date
    2017
    Supervisor
    Dr Darren Ansted
    Type
    Thesis
    Award
    PhD
    
    Metadata
    Show full item record
    Faculty
    Humanities
    School
    School of Design and Art
    URI
    http://hdl.handle.net/20.500.11937/65945
    Collection
    • Curtin Theses
    Abstract

    This research specifically describes how a non-objective inspired painting practice can facilitate the innovation and expansion of knowledge in an area of under-examined cultural terrain, and specifically, what theories, materials and processes pertaining to the discourse of the everyday are best used to concretely investigate this context. Ultimately, the new concept of ‘critical anachronism’ as a form of artistic engagement is presented herein.

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