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dc.contributor.authorSpremberg, Alexander
dc.contributor.supervisorDr Darren Ansteden_US
dc.date.accessioned2018-02-23T06:37:46Z
dc.date.available2018-02-23T06:37:46Z
dc.date.issued2017
dc.identifier.urihttp://hdl.handle.net/20.500.11937/65945
dc.description.abstract

This research specifically describes how a non-objective inspired painting practice can facilitate the innovation and expansion of knowledge in an area of under-examined cultural terrain, and specifically, what theories, materials and processes pertaining to the discourse of the everyday are best used to concretely investigate this context. Ultimately, the new concept of ‘critical anachronism’ as a form of artistic engagement is presented herein.

en_US
dc.publisherCurtin Universityen_US
dc.titleCritical Anachronism: The recovery of the everyday in the context of Non-objective paintingen_US
dc.typeThesisen_US
dcterms.educationLevelPh.D.en_US
curtin.departmentSchool of Design and Arten_US
curtin.accessStatusOpen accessen_US
curtin.facultyHumanitiesen_US


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