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    The underwater soundscape around Australia

    192727.pdf (1.919Mb)
    Access Status
    Open access
    Authors
    Erbe, Christine
    McCauley, Robert
    Gavrilov, Alexander
    Madhusudhana, Shyam Kumar
    Verma, Arti
    Date
    2016
    Type
    Conference Paper
    
    Metadata
    Show full item record
    Citation
    Erbe, C. and McCauley, R. and Gavrilov, A. and Madhusudhana, S. and Verma, A. 2016. The underwater soundscape around Australia, in Proceedings of Acoustics 2016: Thew Second Australasian Acoustical Societies’ Conference, Nov 9-11 2016, pp. 8-17. Brisbane, Australia: Australian Acoustical Society.
    Source Title
    Proceedings of Acoustics 2016
    Source Conference
    Acoustics 2016
    ISBN
    9781510837393
    Faculty
    Faculty of Science and Engineering
    School
    School of Earth and Planetary Sciences (EPS)
    Department of Physics and Astronomy
    Centre for Marine Science and Technology
    URI
    http://hdl.handle.net/20.500.11937/80238
    Collection
    • Curtin Research Publications
    Abstract

    The Australian marine soundscape exhibits a diversity of sounds, which can be grouped into biophony, geophony and anthrophony based on their sources. Animals from tiny shrimp, to lobsters, fish and seals, to the largest animals on Earth, blue whales, contribute to the Australian marine biophony. Wind, rain, surf, Antarctic ice break-up and marine earthquakes make up the geophony. Ship traffic, mineral and petroleum exploration and production, construction, defence exercises and commercial fishing add to the anthrophony. While underwater recorders have become affordable mainstream equipment, precise sound recording and analysis remain an art. Australia’s Integrated Marine Observing System (IMOS) consists of a network of oceanographic and remote sensors, including passive acoustic listening stations managed by the Centre for Marine Science & Technology, Curtin University, Perth. All of the acoustic recordings are freely available online. Long-term records up to a decade exist at some sites. The recordings provide an exciting window into the underwater world. We present examples of soundscapes from around Australia and discuss various aspects of soundscape recording, analysis and reporting—the to-dos and not-to-dos.

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