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dc.contributor.authorRyan, M.
dc.contributor.authorKeane, Michael
dc.contributor.authorCunningham, S.
dc.date.accessioned2017-01-30T11:06:19Z
dc.date.available2017-01-30T11:06:19Z
dc.date.created2016-09-12T08:58:55Z
dc.date.issued2008
dc.identifier.citationRyan, M. and Keane, M. and Cunningham, S. 2008. Australian Indigenous Art: Local Dreamings, Global Consumption. In Cultures and Globalization: The Cultural Economy, 284-291: Sage Publications.
dc.identifier.urihttp://hdl.handle.net/20.500.11937/8372
dc.description.abstract

Indigenous Australian visual art is an outstanding case of the dynamics of globalisation and its intersection with the hyper-local wellsprings of cultural expression, and of the strengths and weaknesses of state, philanthropic and commercial backing for cultural production and dissemination. The chapter traces the development of the international profile of Indigenous ’dot’ art – a traditional symbolic art form from the Western Desert – as ’high-end’ visual art, and its positioning within elite markets and finance supported by key international brokers, collectors and philanthropists.

dc.publisherSage Publications
dc.relation.urihttp://eprints.qut.edu.au/11315/
dc.titleAustralian Indigenous Art: Local Dreamings, Global Consumption
dc.typeBook Chapter
dcterms.source.startPage284
dcterms.source.endPage291
dcterms.source.titleCultures and Globalization: The Cultural Economy
curtin.departmentDepartment of Communication and Cultural Studies
curtin.accessStatusFulltext not available


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