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dc.contributor.authorMessham-Muir, Kit
dc.date.accessioned2021-07-06T01:48:33Z
dc.date.available2021-07-06T01:48:33Z
dc.date.issued2021
dc.identifier.urihttp://hdl.handle.net/20.500.11937/84236
dc.description.abstract

Mladen Miljanović represented Bosnia and Herzegovina at the 2013 Venice Biennale following a twenty year absence with The Garden of Delights. Often using the technique of engraving on granite, in the tradition of Balkan tombstone decorations, Miljanović draws on the recurring motif of the garden throughout his oeuvre to address the aftermath of war. This chapter considers the role of the garden in Miljanović’s work, amongst the ruins of the fallen Empire of Eastern European socialism and after the firestorm of ultra-nationalism that followed.

dc.languageEnglish
dc.publisherArt + Australia Publishing
dc.subject1901 - Art Theory and Criticism
dc.titleBetween the Walls: The Return of Post 1989 and the Art of Mladen Miljanović
dc.typeBook Chapter
dcterms.source.startPage123
dcterms.source.endPage140
dcterms.source.titleAfterstorm
dcterms.source.isbn9780648547457
dcterms.source.placeMelbourne
dcterms.source.chapter9
dc.date.updated2021-07-06T01:48:31Z
curtin.departmentSchool of Media, Creative Arts and Social Inquiry
curtin.accessStatusFulltext not available
curtin.facultyFaculty of Humanities
curtin.contributor.orcidMessham-Muir, Kit [0000-0002-1779-0972]


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