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dc.contributor.authorHearman, Vannessa
dc.date.accessioned2021-12-11T10:47:52Z
dc.date.available2021-12-11T10:47:52Z
dc.date.issued2016
dc.identifier.urihttp://hdl.handle.net/20.500.11937/86850
dc.identifier.doi10.4324/9781315445328
dc.description.abstract

Sound forms the backbone of farm labourer Niko’s memories of the 1965–66 anti-communist repression in Indonesia, as he related in his interview for an oral history collection, edited by fellow former political prisoner, Putu Oka Sukanta. The auditory landscape of Indonesian prisons and detention centres in the mid-1960s perhaps did not differ markedly from similar instances of political repression elsewhere. The sound of imprisonment had a markedly lasting effect on those being detained because the immersive quality that hearing added to the human experience underscored the power imbalance in which survivors found themselves. The sound of trucks driving by and pulling up was associated with impending violence. The daily routine of detainees was marked with a rich soundscape of army trucks, the prison bell, jingling keys and footsteps of prison guards. The sound of the army trucks that transported detainees to and from places of detention was a key part of the auditory landscape, as Niko’s opening testimony illustrates.

dc.publisherRoutledge
dc.titleHearing the 1965-66 Indonesian anti-communist repression: Sensory history and its possibilities
dc.typeBook Chapter
dcterms.source.startPage142
dcterms.source.endPage156
dcterms.source.titleA Cultural History of Sound, Memory, and the Senses
dcterms.source.isbn9781138211773
dcterms.source.placeNew York
dcterms.source.chapter9
dc.date.updated2021-12-11T10:47:52Z
curtin.departmentSchool of Media, Creative Arts and Social Inquiry
curtin.accessStatusFulltext not available
curtin.facultyFaculty of Humanities
curtin.contributor.orcidHearman, Vannessa [0000-0002-2837-9572]
curtin.contributor.scopusauthoridHearman, Vannessa [23396579700]


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