Re-presenting China in Digital Immersive Art: Virtual Reality, Imaginaries, and Cultural Presence
| dc.contributor.author | Zhao, Xinyang | |
| dc.contributor.supervisor | Kit Messham-Muir | en_US |
| dc.date.accessioned | 2022-11-08T05:34:51Z | |
| dc.date.available | 2022-11-08T05:34:51Z | |
| dc.date.issued | 2022 | en_US |
| dc.identifier.uri | http://hdl.handle.net/20.500.11937/89625 | |
| dc.description.abstract |
The thesis explores how digital technology, in particular virtual reality and augmented reality, is playing a role in China’s rejuvenation, especially in relation to cultural displays, performances, and art exhibitions. This project examines how audiences, both in China and globally, respond to ‘Digital China’, a concept describing how people’s everyday lives in China are becoming superconnected by digital technology. Qualitative methodology with a multi-perspectival approach is applied to advance the aim of the project. | en_US |
| dc.publisher | Curtin University | en_US |
| dc.title | Re-presenting China in Digital Immersive Art: Virtual Reality, Imaginaries, and Cultural Presence | en_US |
| dc.type | Thesis | en_US |
| dcterms.educationLevel | PhD | en_US |
| curtin.department | School of Media, Creative Arts, and Social Inquiry | en_US |
| curtin.accessStatus | Open access | en_US |
| curtin.faculty | Humanities | en_US |
| curtin.contributor.orcid | Zhao, Xinyang [0000-0001-9037-7626] | en_US |