Digital China: from cultural presence to innovative nation
Access Status
Authors
Date
2017Type
Metadata
Show full item recordCitation
Source Title
School
Collection
Abstract
The rapid development of digital technology infrastructure in the People’s Republic of China, together with the government’s recent support of grassroots innovation, has led to a growing mood of techno-nationalism as well as a feeling that digital technology can play an important role in renovating China’s international image. Powerful internet companies are challenging the dominance of traditional state-owned media. Cultural products are digitized, distributed, and consumed on online platforms. Such platforms offer consumers a choice of content through subscription, either free or paid. With China’s media and culture striving to ‘go out’ (zou chuqu 走出去), typified by CCTV and Confucius Institutes, we pose the question: Can China use the ‘digital power’ of the internet to achieve international recognition as an ‘innovative nation’ or will the internet perpetuate a stereotype of China as a copycat nation?
Related items
Showing items related by title, author, creator and subject.
-
Keane, Michael ; Wu, Huan (2019)The aim of this chapter is to show how digital transactions are relevant to the modernization of commerce in China, and in particular how China’s e-commerce platforms are targeting territories along the Belt and Road ...
-
Yecies, B.; Keane, Michael ; Yu, H.; Zhao, E.J.; Zhong, P.Y.; Leong, S.; Wu, Huan (2019)The advent of new media technologies has changed how people watch, engage with, and share digital media. Conventionally, audiences were surveyed selectively, and the results were collated by professional agencies and often ...
-
Keane, Michael (2016)From the time of their inception in 2001 China’s cultural industries were predominantly material, following the blueprint of industrialization (chanyehua) laid out in the national Five Year Economic Development Plans. A ...