The smear that discloses world: Material and perception in painting
Access Status
Open access
Date
2021Supervisor
Kit Messham-Muir
Darryn Ansted
Type
Thesis
Award
PhD
Metadata
Show full item recordFaculty
Humanities
School
School of Media, Creative Arts and Social Inquiry
Collection
Abstract
The thesis reads Gilles Deleuze’s lectures on painting from 1981 to develop a theory of painting as a mereological activity, concerned with the relations of parts to one another and to wholes. Painting from observation is taken as a case by which painting performs the broader aesthetic function of exemplifying efficacy.
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