The smear that discloses world: Material and perception in painting
| dc.contributor.author | Black, Steven Michael | |
| dc.contributor.supervisor | Kit Messham-Muir | en_US |
| dc.contributor.supervisor | Darryn Ansted | en_US |
| dc.date.accessioned | 2022-12-07T03:11:34Z | |
| dc.date.available | 2022-12-07T03:11:34Z | |
| dc.date.issued | 2021 | en_US |
| dc.identifier.uri | http://hdl.handle.net/20.500.11937/89773 | |
| dc.description.abstract |
The thesis reads Gilles Deleuze’s lectures on painting from 1981 to develop a theory of painting as a mereological activity, concerned with the relations of parts to one another and to wholes. Painting from observation is taken as a case by which painting performs the broader aesthetic function of exemplifying efficacy. | en_US |
| dc.publisher | Curtin University | en_US |
| dc.title | The smear that discloses world: Material and perception in painting | en_US |
| dc.type | Thesis | en_US |
| dcterms.educationLevel | PhD | en_US |
| curtin.department | School of Media, Creative Arts and Social Inquiry | en_US |
| curtin.accessStatus | Open access | en_US |
| curtin.faculty | Humanities | en_US |
| curtin.contributor.orcid | Black, Steven Michael [0000-0003-2633-7640] | en_US |