Dress Rehearsals and Dress Rehearsals: How Womanhood Is Performed In The Prose Poem. The contemporary prose poem as a screen, a mosh pit and a site of gendered subversion
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Fulltext not available
Embargo Lift Date
2028-09-18
Date
2023Supervisor
Christina Lee
Deborah Hunn
Cassandra Atherton
Type
Thesis
Award
PhD
Metadata
Show full item recordFaculty
Humanities
School
School of Media, Creative Arts and Social Inquiry
Collection
Abstract
Through an exegesis and poetry collection, this thesis explores how womanhood is performed in the contemporary prose poem. Dress Rehearsals is a book-length-poetry-collection that documents a decade of performing womanhood. This research articulates autoethnographic experiences of fandom, gender, queerness, feminism, and features a surreal sequence that represents an intimate relationship with the femme fatale, renamed as the femme menace. The PhD proposes an energised synergy between prose poetry, gender performance and the mosh pits of live music.
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