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    Dress Rehearsals and Dress Rehearsals: How Womanhood Is Performed In The Prose Poem. The contemporary prose poem as a screen, a mosh pit and a site of gendered subversion

    Access Status
    Fulltext not available
    Embargo Lift Date
    2028-09-18
    Authors
    Godfrey, Madison
    Date
    2023
    Supervisor
    Christina Lee
    Deborah Hunn
    Cassandra Atherton
    Type
    Thesis
    Award
    PhD
    
    Metadata
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    Faculty
    Humanities
    School
    School of Media, Creative Arts and Social Inquiry
    URI
    http://hdl.handle.net/20.500.11937/93382
    Collection
    • Curtin Theses
    Abstract

    Through an exegesis and poetry collection, this thesis explores how womanhood is performed in the contemporary prose poem. Dress Rehearsals is a book-length-poetry-collection that documents a decade of performing womanhood. This research articulates autoethnographic experiences of fandom, gender, queerness, feminism, and features a surreal sequence that represents an intimate relationship with the femme fatale, renamed as the femme menace. The PhD proposes an energised synergy between prose poetry, gender performance and the mosh pits of live music.

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