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dc.contributor.authorGodfrey, Madison
dc.contributor.supervisorChristina Leeen_US
dc.contributor.supervisorDeborah Hunnen_US
dc.contributor.supervisorCassandra Athertonen_US
dc.date.accessioned2023-09-21T02:47:22Z
dc.date.available2023-09-21T02:47:22Z
dc.date.issued2023en_US
dc.identifier.urihttp://hdl.handle.net/20.500.11937/93382
dc.description.abstract

Through an exegesis and poetry collection, this thesis explores how womanhood is performed in the contemporary prose poem. Dress Rehearsals is a book-length-poetry-collection that documents a decade of performing womanhood. This research articulates autoethnographic experiences of fandom, gender, queerness, feminism, and features a surreal sequence that represents an intimate relationship with the femme fatale, renamed as the femme menace. The PhD proposes an energised synergy between prose poetry, gender performance and the mosh pits of live music.

en_US
dc.publisherCurtin Universityen_US
dc.titleDress Rehearsals and Dress Rehearsals: How Womanhood Is Performed In The Prose Poem. The contemporary prose poem as a screen, a mosh pit and a site of gendered subversionen_US
dc.typeThesisen_US
dcterms.educationLevelPhDen_US
curtin.departmentSchool of Media, Creative Arts and Social Inquiryen_US
curtin.accessStatusFulltext not availableen_US
curtin.facultyHumanitiesen_US
curtin.contributor.orcidGodfrey, Madison [0000-0001-5365-5404]en_US
dc.date.embargoEnd2028-09-18


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