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dc.contributor.authorKeane, Michael
dc.contributor.authorChen, Y.
dc.date.accessioned2017-03-15T22:27:52Z
dc.date.available2017-03-15T22:27:52Z
dc.date.created2017-03-14T06:55:56Z
dc.date.issued2017
dc.identifier.citationKeane, M. and Chen, Y. 2017. Digital China: from cultural presence to innovative nation. Asiascape: Digital Asia. 4 (1-2): pp. 52-75.
dc.identifier.urihttp://hdl.handle.net/20.500.11937/50771
dc.identifier.doi10.1163/22142312-12340068
dc.description.abstract

The rapid development of digital technology infrastructure in the People’s Republic of China, together with the government’s recent support of grassroots innovation, has led to a growing mood of techno-nationalism as well as a feeling that digital technology can play an important role in renovating China’s international image. Powerful internet companies are challenging the dominance of traditional state-owned media. Cultural products are digitized, distributed, and consumed on online platforms. Such platforms offer consumers a choice of content through subscription, either free or paid. With China’s media and culture striving to ‘go out’ (zou chuqu 走出去), typified by CCTV and Confucius Institutes, we pose the question: Can China use the ‘digital power’ of the internet to achieve international recognition as an ‘innovative nation’ or will the internet perpetuate a stereotype of China as a copycat nation?

dc.titleDigital China: from cultural presence to innovative nation
dc.typeJournal Article
dcterms.source.volume4
dcterms.source.startPage52
dcterms.source.endPage75
dcterms.source.titleAsiascape: Digital Asia
curtin.departmentDepartment of Communication and Cultural Studies
curtin.accessStatusOpen access


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