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    The Changing Business of Aboriginal and Torres Strait Islander Art: Markets, Audiences, Artists, and the Large Art Fairs

    Access Status
    Fulltext not available
    Authors
    Jones, Tod
    Booth, J.
    Acker, Tim
    Date
    2016
    Type
    Journal Article
    
    Metadata
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    Citation
    Jones, T. and Booth, J. and Acker, T. 2016. The Changing Business of Aboriginal and Torres Strait Islander Art: Markets, Audiences, Artists, and the Large Art Fairs. The Journal of Arts Management, Law and Society. 46 (3): pp. 107-121.
    Source Title
    The Journal of Arts Management, Law and Society
    DOI
    10.1080/10632921.2016.1182953
    ISSN
    1063-2921
    School
    Department of Planning and Geography
    URI
    http://hdl.handle.net/20.500.11937/56274
    Collection
    • Curtin Research Publications
    Abstract

    This article analyzes the relationship between the growth of large Australian Aboriginal art fairs and shifts in the fine art market and state policies; audience and art insiders' experiences; and the implications of art fair participation for artists and art centers. In contrast to the traditional gallery model, the art fairs draw buyers and artists together in regional centers, along with families, managers, curators, commentators, administrators, and politicians. Using the assemblages concept, we analyze the emergence of a new engagement that prioritizes social, cultural, and interpersonal aspects of art making and where buyers consume “relational goods” linked to their purchasing context.

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    Curtin would like to pay respect to the Aboriginal and Torres Strait Islander members of our community by acknowledging the traditional owners of the land on which the Perth campus is located, the Whadjuk people of the Nyungar Nation; and on our Kalgoorlie campus, the Wongutha people of the North-Eastern Goldfields.