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    Santa’s Little Helper and Star of Instagram, Elf on the Shelf: Gendered Labour, Normalising Surveillance and Digitising a Childhood Phenomenon

    Access Status
    Fulltext not available
    Authors
    Archer, Catherine
    Leaver, Tama
    Date
    2021
    Type
    Book Chapter
    
    Metadata
    Show full item record
    Source Title
    Young Children’s Rights in a Digital World Play, Design and Practice
    DOI
    10.1007/978-3-030-65916-5_22
    Additional URLs
    https://doi.org/10.1007/978-3-030-65916-5_22
    ISBN
    3030659151
    9783030659158
    Faculty
    Faculty of Humanities
    School
    School of Media, Creative Arts and Social Inquiry
    URI
    http://hdl.handle.net/20.500.11937/86067
    Collection
    • Curtin Research Publications
    Abstract

    The Elf on the Shelf (EotS) has become—as well as being a best-selling book and toy of the same name—a cultural phenomenon. As a Christmas tradition, the EotS only dates back to 2005, but has quickly gained hold in homes across the world. For the marketers of EotS, it’s also a huge money-spinner, earning millions worldwide. Originally self-published as a book by a retired teacher in 2005, the EotS book now sells with an EotS toy who sits on the shelf and, according to its story, reports back to Santa any ‘naughty or nice’ behaviour of the resident children. The EotS resides in many homes and schools pre-Christmas, giving parents and teachers leverage in the lead up to Christmas. EotS can also be viewed as a more sinister societal surveillance tool, normalising the panopticon and making parents complicit with the concept of omnipresent spying. While ‘magical’ rather than technological, EotS could nevertheless be seen as normalising and promoting a parentally-endorsed surveillance (and consumer) culture. Simultaneously, the EotS also has become both a chore and a source of fun for parents of Santa believers globally, as parents (mostly mothers) each night change the Elf’s location and position.

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